Little Revelations While Reading Jim Thompson’s SAVAGE NIGHT (and a bit about how The Iliad Bookshop is the best place on Earth)

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I found myself re-reading Jim Thompson’s SAVAGE NIGHT, this week. May be my third time, but it is a slim volume and it never fails to pack a punch. I mean, you are set up from the get-go for violence and you wait and wait and when it finally hits… holy hell. The last handful of chapters are a goddamned ride, man. Straight to Hell.

Jim Thompson is a beast. I see other books of his recommended more often, but SAVAGE NIGHT is the one I always come back to. Lyrical and, at times, surreal. And violence that just punches off the page.

And then, that got me thinking how much I probably owe noir, like SAVAGE NIGHT, for its inspirations throughout GRIND YOUR BONES TO DUST. I always jokingly referred to GRIND as “Magic Nihilism” but I think, in hindsight, you could just as easily call it a “Horror Noir” and not be too far off the mark. Continue reading “Little Revelations While Reading Jim Thompson’s SAVAGE NIGHT (and a bit about how The Iliad Bookshop is the best place on Earth)”

Social Media Marketing Is A Buffet; Take What You Want And Leave The Rest

Firstly, if you’re reading this, then thanks for stopping by! I truly appreciate it.

Secondly, I’m (mostly) migrating from social media and utilizing this site AND a newsletter. I long ago dumped Facebook. However, I will keep the Twitter account running, as long as it does what I need it to do: move books.

I will be 100% honest: I am only on social media because it is a free and easy marketing tool. I do not have representation and, thus far, the presses I have worked with do not have marketing departments or marketing budgets. So, social media is where that proverbial buck stops.

“Now I am become Marketing, the destroyer of disposable income.”

And, there’s a lot of “cult of personality” types on various social media platforms. I am not one of those. Now, I certainly do not begrudge one’s interest in flexing their cult-building skills. If that’s your bag, then go out and drop those hot takes! There’s a whole load of folks who love hot takes. Hot takes, I’m sure, have even nabbed a sale or two. In general, I don’t give a single shit for hot takes.

But, I will tell you what I like about hot takes, even if they aren’t my particular bag. I like hot takes because I like reading people as much if not more than I like reading books. Hot takes, more often than not, are an open door into someone’s head. Enough hot takes, and you can start piecing together the inner workings of a person. I don’t mind taking a walk through your head, and I will do so if you open that door enough times.

Now, I get that a lot of shit on social media is, at best, performative… but so are interactions in the real world. Any single person is a multitude. You are getting to know someone, whether it is the subjective “real” or the projection. The distinction is awfully ethereal outside of true performance art. And, I am not picky. I’ll take whatever you’re giving.

Finally, if you’ve made it this far, I thank you for a second time. I’d be thrilled if you signed up for my newsletter, and it will be the only way to get my upcoming novella, OCTOBER ANIMALS.

 

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Being Inaccessible Is OK, Actually; And An Untitled Poem

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I would argue that I am not a “very online” person. I have been more online in the past, but become increasingly less so as time goes on. Simply, I don’t give a fuck about all that. At my core, I am an artist, and that moniker stretches across multiple disciplines. I create this or that and sometimes it is for me and sometimes I try to put it out in the world for people to adopt as their own. But I am not concerned with being accessible. I, myself, am not the art, though it surely comes from me. I have no love for “cult of personality” types. I figure it’s hard enough to convince people to buy art, let alone have to sell my goddamned self.

Approachable? Sure. I’m not interested in being mean to anyone. Being mean is exhausting.

Continue reading “Being Inaccessible Is OK, Actually; And An Untitled Poem”

Memory Is Palimpsest

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I am taking a (short) break from OCTOBER ANIMALS, but then it is back to work. It feels like I have taken a lifetime to work on a book so short. I even had a (for myself) pretty detailed outline to work from. But the narrative started mutating right out of the gate and anytime I tried to force the outline it simply wasn’t working. The narrative wanted something else, and I have stopped fighting. Instead, I am giving the narrative what it wants and letting it go.

“If you love something, let it go” says the old adage. Except, i don’t expect this thing I love to “come back” and be mine “forever” or what have you. I intend to let it go, piece by piece, word by word. Every sentence, this story grows nearer to completion, and further away from me. As it should be. Someday, soon, I will let OCTOBER ANIMALS go and it will be yours, not mine.

And then, over time, my perception of the book will become foggy, as it has with works I’ve previously written. Narratives are like memories, in that way. An experience so utterly involving that shatters apart with passing time, to become hardly more than idle thoughts, half-remembered details.

Memory is palimpsest.

So are books.

I write a story to be half-remembered by myself and you read said story and you bring your own life and experiences and this perception of yours is grafted onto to certain words and passages, and so the story conjures thoughts and feelings and narratives within the reader, all of which is beyond my control. And that, is a kind of magic. I may put down the words, but it is the reader who gives life to the story. In their own way, every book is a spell.

And now, I must return to OCTOBER ANIMALS. I have spells to cast and creatures to conjure.

Thanks for reading.

Recent Reads and Trying to Reconnect With Leaisure

I dearly love to read. Always have, and always will. But, since taking over editing and acquisitions for Rooster Republic Press (and more recently for Journalstone’s imprint, Bizarro Pulp Press), I find myself reading far less than I have been accustomed. For most of 2021, my spare time has been dedicated to Hailey Piper’s QUEEN OF TEETH, as well as chipping away at my novella, OCTOBER ANIMALS. In fact, the only book I’ve managed to sandwich between these projects was a lovely/harrowing little novella called WATCH THE WHOLE GODDAMNED THING BURN (by Doungjai Gam). It’s a limited release via Nightscape Press, and one I’d heartily recommend. You can grab a copy HERE.

Before that, I spent most of the last few months in 2020 working on various other titles seeing publication in 2021. And the last title I read for leisure was during Spring 2020, THE SILMARILLION (which I loved). Hoping to change that, however, in the next few weeks, especially as work on OCTOBER ANIMALS draws to a close.

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Continue reading “Recent Reads and Trying to Reconnect With Leaisure”

Making up for Lost Time is literally impossible. It’s just gone, forever.

My last post was on June 30th, and three days later my father died, just short of his birthday. He would have been 67. I tried making it out to Illinois every year, but because of the pandemic, I had yet to make it in 2020. My brother and my mother were with him when he died, and I find some solace in that. Turns out, the last time I would ever see my father was the morning of August 6th, 2019. The last picture I took of him was in 2018. He was playing with a dog at an animal shelter. He loved dogs.

Continue reading “Making up for Lost Time is literally impossible. It’s just gone, forever.”

Nobody Gets Hurt and Other Lies: The Movie (no, not really, but wouldn’t that be cool)

Today is the first day of May. It is very, very nice outside. All the green is returning and flowers are blooming and the days are getting warmer. And, on top of all that, I’m receiving emails asking about the film/TV rights for my new collection, Nobody Gets Hurt and Other Lies. And from a very reputable company, to boot. Chances are, you’ve seen their handiwork.

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See? Green. Ha! Spring jokes.

This is exciting, while also not being that exciting. Let’s discuss!

Continue reading “Nobody Gets Hurt and Other Lies: The Movie (no, not really, but wouldn’t that be cool)”

“Inspiration sounds like a fancy name for deodorant” -Me, just now-

There had been a Facebook trend to list ten or so books (over the course of ten or so days) that you felt had lasting impact on you and your work. I didn’t partake in that when it was infecting the timeline like a malicious virus, but I’ll drop it here, all in one go, like a wicked 24-hour flu. For the really curious, I even took a picture.

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Continue reading ““Inspiration sounds like a fancy name for deodorant” -Me, just now-“

Screenplays . . . and “how to” write them

I think every “How To” book–about writing, specifically–should be read with at least one slice of steaming hot skepticism. And most of them amount to “How I Did It” instead of being a real “How To,” anyway. You’ll notice some overlap if you leaf through enough of these types of books, but it usually amounts to stuff like:

Read lots of books, especially ones that are like what you want to write

Write often enough to actually finish a manuscript

Good Luck

Continue reading “Screenplays . . . and “how to” write them”