‘Magical Nihilism’ about sums it up…

I have been busy, busy, busy writing Grind Your Bones to Dust and free time is all but a memory. I still think the book can and will be finished before the end of the year, even though I’ll probably find myself typing “The End” at 11:59pm on December 31st. And since I’m such a glutton for punishment, I’ve elected to write two short stories for anthologies I’ve been invited to. One story is rather short and is titled “Charlotte” and the other story is a bit longer and titled “Planet Werewolf” and once I am done with those bits and the rest of the book I ought to have at least a couple of strands of hair left.

Lots of things have come to pass since I last made an entry on here.

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What I am reading while writing about killer donkeys.

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Grind Your Bones to Dust is coming together very nicely. The first part (of four) was just wrapped up, Monday night. I sent the draft to an interested party on Tuesday. As with all things writing, now I wait. But that doesn’t mean I stop writing. And it certainly doesn’t mean I stop reading.

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December, Tentatively…

“At the End of the Day I Burst into Flames burrowed into my heart with each page that I read and took shape as a beautiful monster. Nicholas Day paints worlds both wonderful and painful. He shows us another side of death and love where their roles are interchangeable and their story unforgettable. He’s one of my favorite wielders of words.” –Michelle Garza, coauthor of Mayan Blue, Those Who Follow and Kingdom of Teeth

My novella, At the End of the Day I Burst into Flames, comes out in December. Tentatively, of course, just like the article’s title alludes, but I’d be surprised if it didn’t hit sometime before Christmas.

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I Sat Through Another Jurassic Park Movie; I Am Part Of The Problem

I took my kid to see Jurassic World: Fallen Kingdom, this last weekend. I dislike all of the Jurassic Park sequels, but the kid, you see, really likes dinosaurs, so we went. At the end of the day, these aren’t the worst movies ever made. Like, they aren’t the fucking Transformers movies. And worst-case scenario, you get to enjoy at least a handful of folks getting eaten or smooshed by big critters.

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“Inspiration sounds like a fancy name for deodorant” -Me, just now-

There had been a Facebook trend to list ten or so books (over the course of ten or so days) that you felt had lasting impact on you and your work. I didn’t partake in that when it was infecting the timeline like a malicious virus, but I’ll drop it here, all in one go, like a wicked 24-hour flu. For the really curious, I even took a picture.

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The next short story collection . . .

After some hemming and hawing, it looks like the next project will, indeed, be a second collection of short stories. And why not? At 40K words and counting, it’s all ready robust enough to stand on its own, and once it is wrapped up the collection will be twice the length of my previous collection, Now That We’re Alone.

An added bonus? This new collection all ready has an interested party . . .

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Will I pick the next project, or does the next project pick me?

At The End of The Day I Burst Into Flames is finished (and under contract with Journalstone/Bizarro Pulp Press) and though it must still be ushered into the second stage of its life, I am now faced with developing one of many existing manuscripts to a point of completion:

  1. a follow-up collection of short stories, one which has all ready eclipsed the length of Now That We’re Alone. Like the last collection, there’s a bit of everything included, but the overall theme seems to be . . . body horror.
  2. a novella (approaching novel-length) crime fiction/kaiju monster mash up.
  3. an apocalyptic sci-fi, the third (and final) entry into my unofficial “Cyclical Narrative” trilogy that began with Necrosaurus Rex and At The End of The Day . . .
  4. a full-length mystery about an amateur sleuth in the throes of early-onset Alzheimer’s.

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I’m in love with the Creepshow soundtrack

Okay, so I’ve been noodling away at this screenplay, and it’s a horror movie. Now, there are times when I have to write in complete silence, but holy cow do some tunes saddle up right nice to screenplay writing. For this project, I thought listening to John Carpenter scores would be the sure thing. However, I was wrong.

This flow has been achieved in no small part to John Harrison’s excellent work on the Creepshow score.

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