Recent Reads and Trying to Reconnect With Leaisure

I dearly love to read. Always have, and always will. But, since taking over editing and acquisitions for Rooster Republic Press (and more recently for Journalstone’s imprint, Bizarro Pulp Press), I find myself reading far less than I have been accustomed. For most of 2021, my spare time has been dedicated to Hailey Piper’s QUEEN OF TEETH, as well as chipping away at my novella, OCTOBER ANIMALS. In fact, the only book I’ve managed to sandwich between these projects was a lovely/harrowing little novella called WATCH THE WHOLE GODDAMNED THING BURN (by Doungjai Gam). It’s a limited release via Nightscape Press, and one I’d heartily recommend. You can grab a copy HERE.

Before that, I spent most of the last few months in 2020 working on various other titles seeing publication in 2021. And the last title I read for leisure was during Spring 2020, THE SILMARILLION (which I loved). Hoping to change that, however, in the next few weeks, especially as work on OCTOBER ANIMALS draws to a close.

20210318_113148

Continue reading “Recent Reads and Trying to Reconnect With Leaisure”

Making up for Lost Time is literally impossible. It’s just gone, forever.

My last post was on June 30th, and three days later my father died, just short of his birthday. He would have been 67. I tried making it out to Illinois every year, but because of the pandemic, I had yet to make it in 2020. My brother and my mother were with him when he died, and I find some solace in that. Turns out, the last time I would ever see my father was the morning of August 6th, 2019. The last picture I took of him was in 2018. He was playing with a dog at an animal shelter. He loved dogs.

Continue reading “Making up for Lost Time is literally impossible. It’s just gone, forever.”

What Is The Best Time To Start Promoting Your Book?

Man observes snow
photo courtesy of Kevin L. Donihe

I recently posted about GRIND YOUR BONES TO DUST selling quite a few copies since its debut (500+, as of this writing, which is not too shabby for a newbie micro-press and a debut novel), and I have had more than one person ask me for “tips or tricks or secrets” that I might be able to share, so… here I am, sharing.

Continue reading “What Is The Best Time To Start Promoting Your Book?”

Nobody Gets Hurt and Other Lies: The Movie (no, not really, but wouldn’t that be cool)

Today is the first day of May. It is very, very nice outside. All the green is returning and flowers are blooming and the days are getting warmer. And, on top of all that, I’m receiving emails asking about the film/TV rights for my new collection, Nobody Gets Hurt and Other Lies. And from a very reputable company, to boot. Chances are, you’ve seen their handiwork.

PicsArt_05-01-09.22.40
See? Green. Ha! Spring jokes.

This is exciting, while also not being that exciting. Let’s discuss!

Continue reading “Nobody Gets Hurt and Other Lies: The Movie (no, not really, but wouldn’t that be cool)”

I Sat Through Another Jurassic Park Movie; I Am Part Of The Problem

I took my kid to see Jurassic World: Fallen Kingdom, this last weekend. I dislike all of the Jurassic Park sequels, but the kid, you see, really likes dinosaurs, so we went. At the end of the day, these aren’t the worst movies ever made. Like, they aren’t the fucking Transformers movies. And worst-case scenario, you get to enjoy at least a handful of folks getting eaten or smooshed by big critters.

Continue reading “I Sat Through Another Jurassic Park Movie; I Am Part Of The Problem”

“Inspiration sounds like a fancy name for deodorant” -Me, just now-

There had been a Facebook trend to list ten or so books (over the course of ten or so days) that you felt had lasting impact on you and your work. I didn’t partake in that when it was infecting the timeline like a malicious virus, but I’ll drop it here, all in one go, like a wicked 24-hour flu. For the really curious, I even took a picture.

20180523_144217.jpg

Continue reading ““Inspiration sounds like a fancy name for deodorant” -Me, just now-“

Screenplays . . . and “how to” write them

I think every “How To” book–about writing, specifically–should be read with at least one slice of steaming hot skepticism. And most of them amount to “How I Did It” instead of being a real “How To,” anyway. You’ll notice some overlap if you leaf through enough of these types of books, but it usually amounts to stuff like:

Read lots of books, especially ones that are like what you want to write

Write often enough to actually finish a manuscript

Good Luck

Continue reading “Screenplays . . . and “how to” write them”

Classic Shit: Timecrimes (2007)

Timecrimes (2007) Dir. Nacho Vigalondo

timecrimes

Time travel has been done to death but when it works (and sometimes even when it doesn’t) the time-travel story can be a real blast. Back to the Future remains popular thirty-plus years on. The question “If you could go back in time. . .” must get asked daily on social media, or at least some variation. Hell, I’ve even written a time-travel story. My novella Necrosaurus Rex—when you boil it down—is an extreme example of paradox within time travel, albeit with more genital-devouring than your average take on the material, but still.

My point being that the time-travel narrative is one of those milestones every creative has in them. Even if the idea isn’t executed, it has been thought about at least once. It’s kind of like addressing onanism in non-genre literature. Everybody has at least one masturbation story in them, but not all of those stories are gonna be Portnoy’s Complaint.

Just like how not every time-travel story is going to be Primer.

Or Timecrimes.

Continue reading “Classic Shit: Timecrimes (2007)”

Classic Shit: Amer (2009)

Amer (2009) Dir. Hélène Cattet and Bruno Forzani

Amer
Maria Bos as Ana in a scene from Amer
(Credit: Courtesy of Olive Films)

 

Amer is a beautiful, meticulous and quite intriguing film that pays lip service to all the trappings of an Italian giallo while also aiming for something that rises beyond that particular genre. The film is directed by Hélène Cattet and Bruno Forzani. It was the duo’s first feature film, though they had been making short films together for the past decade.

This debut feature is a masterpiece of composition, and each shot is its own piece of art. You could put this movie in a frame and hang it in a gallery.

Continue reading “Classic Shit: Amer (2009)”