Stunning art for Grind Your Bones To Dust

Well, here it is, almost May, and I have yet to finish Grind Your Bones To Dust. I had originally hoped to be done with the manuscript by the beginning of January. The book, alas, had other ideas. Suppose I cannot complain too much since the delay has been nothing but good news for the book. Grind Your Bones To Dust may be the best work I’ve ever committed to the page. And as the title will be my first full-length novel, I’d call that a win. Still, I’ll be happy as a clam when the damned thing is over with. These murderous men and flesh-eating donkeys have consumed most of the last eight months of my mental real estate. Other projects are waiting patiently for this rental to open up. As is, I’d wager I am less than 10K words out from calling it a wrap. That’s hardly more than a short story’s worth of material left to jot down, so the end is certainly nigh.

In the meantime, cover and interior art (courtesy of Daniele Serra) is finished. I will probably hold off on sharing the interior art until a later date, but I will gladly drop the cover art in here for you, because it is simply gorgeous:

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December, Tentatively…

“At the End of the Day I Burst into Flames burrowed into my heart with each page that I read and took shape as a beautiful monster. Nicholas Day paints worlds both wonderful and painful. He shows us another side of death and love where their roles are interchangeable and their story unforgettable. He’s one of my favorite wielders of words.” –Michelle Garza, coauthor of Mayan Blue, Those Who Follow and Kingdom of Teeth

My novella, At the End of the Day I Burst into Flames, comes out in December. Tentatively, of course, just like the article’s title alludes, but I’d be surprised if it didn’t hit sometime before Christmas.

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Cover Image Reveal for Now That We’re Alone

Hello! and thanks for stopping by the site.

My collection of short stories, Now That We’re Alone, should be available very soon from JournalStone and Bizarro Pulp Press. It was a fun project to put together, with great cover art from Jim Agpalza (who previously created the cover art for my novella, Necrosaurus Rex) and 11 pieces of interior art by Luke Spooner. Editing duties for the collection were handled by Vincenzo Bilof.

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